100,000+
Footfalls
12
Back-to-Back Major
Public Art Projects in the Period of
2010 - 2019
350,000
Units of Ceramics
30,000
Tonnes of Recycling Concrete & Construction Scrap Waste
1
Artist
50+
Acres of Land
"activism need
NOT be loud."
bringing a river to the heart of a city
rain
the Ganga Waterfront.
along Time Machine
a Global Public Art project on
Water, Environment Consciousness, Climate Change and Sustainable Development.
by manav gupta.
Outreach Programmes
Education, Engagement with Schools, Students and Children.
Embracing Nature and Architecture.
rain
rainforest
and the beehive garden
'Chipko Movement', Embracing Neem and Arjuna Trees, The Beehive Garden Project, Rainwater Harvesting, Air Quality Index, Sustainable Development, Nature, Rainforests.
Dialogues at the Waterfront
Literature and Culture Festival: Lectures, Talks, Panel Discussions, Poetry, Music, Performances, Theatre.
conceptualised and curated by manav gupta
Plant a Sapling on my Canvas: The artist’s twenty-eight year thought experiment of engaging with all stakeholders of society to have meaningful conversations through engagement with his art that brings awareness, change and a positive impact on climate change, environment consciousness and sustainable development.
All Stakeholders of Society, 'art for earth.'
“My art is about inclusivity. It is about involving all stakeholders of society – from Presidents, Heads of States, experts in art and culture, intelligentsia, to the masses, to the public at large, common people, daily wage labourers.
I see art as a great leveller.
It is a blessing to have been able to reach out across all cross sections of society and create ‘dialogues at the waterfront’ that evoke responses to my art, the thought behind it and the vision, from everyone, irrespective of whichever rungs of society they may belong.
More often than not, the exchange of thoughts with thinkers, evolved humanitarians, people with vision, students and the masses has enriched my art and embellished it.
The essence of it all is the distilling residue that is celebrated and carried, both by the viewer and the artist.” – Manav Gupta
